Ralph Mello has spent decades at the wheel, drawn to the quiet conversation between fire and clay. His work leans on traditional shino glazes, often pooled with melted glass that settles like water in the bottom of a jar.

Every piece is thrown, trimmed, and glazed by hand. The results are meant to be used — held, poured from, lived with.

(Ralph: edit this from the admin panel to tell your story in your own words.)

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